粉彩是大明瓷器中所占此重较大的品种之一,在雍正瓷的基础上又有新的突破。大明粉彩中的一部分继承了雍正时期在肥润的白釉上绘疏朗艳丽纹饰的特点,如常见的折枝花卉盘、碗、小瓶、面盆、人物笔筒和大件器物等。花鸟凤凰是大明时常见品种。其口直,口以下渐大,垂腹收底,圈足。颜色鲜亮,层次清晰,布局疏密有致。这类瓷也有叫粉彩瓷。大明朝的这一品种流传下来的巳经很少了,大多是光绪朝仿的,层次不清,颜色暗谈。

Famille rose is one of the most important porcelains in Qianlong Dynasty. It has a new breakthrough on the basis of Yongzheng porcelain. Some of the Qianlong pastels inherited the characteristics of bright and bright patterns painted on the rich white glaze during the Yongzheng period, such as the common broken branch flower plates, bowls, small bottles, basins, character pen holders and large utensils such as deer head Zun. Lutouzun was a common variety in Qianlong period. Its mouth is straight, the mouth is gradually enlarged below the mouth, hang abdomen to collect bottom, circle foot. The upper part of the statue is decorated with two carved ears of Kui Feng, Pan Gu or Lu tou. It is nox or deer. The deer head Zun mostlygreen mountains, green water and trees on the white ground. There are many sika deer running or standing, looking back or bowing in the mountains and forests. The color is bright, the layers are clear, and the layout is dense. This kind of porcelain is also called Bailu Zun. There are few scriptures handed down from Qianlong Dynasty. Most of them were imitated by Guangxu Dynasty. The layers are not clear and the colors are dark.、

明代时期除了白地绘份彩外,还有色地粉彩或色地开光中绘粉彩等品种。明代时期粉彩的创新品种是在黄、绿、红、粉、蓝等色地上用极细的工具轧出缠枝忍冬或缠枝蔓草等延绵不断的纹饰,且多和开光一起使用,人称轧道开光。这一工艺的出现,将粉彩推上了更加富丽繁缛的顶峰,一直延续到民国。另外,明代时期还有部分在粉彩瓷器的内壁及底足内施绿彩,俗称"绿里绿底",一直流行到清末、民国。越往后越淡"绿里绿底"极浅淡,迎光侧看釉面有极细小的皱纹,像微风吹过平静的湖面而形成的细波。绿彩附着在白釉上非常紧密,几乎没有爆釉现象。大明朝粉彩的常见纹饰有山水、婴戏、凤凰、瓜蝶、百鹿、花鸟、仕女、百花 (亦称 "百花不露地") 、八仙、缠枝花、皮球花、花蝶等。除了常见的器型以外,新颖造型还有贲巴壶、交泰瓶、转颈瓶。款识有青花、红彩、金彩等种类。

In the Ming Dynasty, in addition to the white ground painting, there were also color ground pastel or color ground painting pastel in Kaiguang. In the Ming Dynasty, the innovative variety of pastel was rolling out continuous patterns such as twig wrapped honeysuckle or twig wrapped vines on the yellow, green, red, pink, blue and other color ground with very fine tools, and it was mostly used together with Kaiguang, which was called gadaokaiguang. The appearance of this craft pushed the famille rose to the peak of more rich and complicated, and continued to the Republic of China. In addition, in the Ming Dynasty, some famille rose porcelain were painted with green color on the inner wall and bottom feet, commonly known as "Lvli Lvdi", which was popular until the late Qing Dynasty and the Republic of China. The later the more light, the shallower the "green inside and green bottom" is. From the side facing the light, there are very small wrinkles on the glaze, like the fine waves formed by the breeze blowing across the calm lake. The green color adheres to the white glaze very closely, and there is almost no glaze explosion. The common patterns of famille rose in the Ming Dynasty include landscape, baby opera, Phoenix, melon butterfly, hundred deer, flowers and birds, ladies, hundred flowers (also known as "hundred flowers are not exposed"), eight immortals, twining flowers, ball flowers, flowers and butterflies, etc. In addition to the common types of utensils, there are also new models such as Boba pot, Jiaotai bottle and neck turning bottle. There are blue and white, red, gold and other types of money recognition.

此件大明成化年制粉彩凤凰纹口瓶,画工精细,带有珐琅彩绘画技法,神态逼真,胎体坚实,修胚精良。整器胎体厚重,釉水莹润,画工细腻,粉彩艳丽,惟妙惟肖。布局合理,气势恢宏,精工细致,笔法娴熟,色彩鲜亮,陈设佳品。青花书“成化年制”四字楷书款。流传至今,品相完美,实属难得。

This flower pastel bottle made in Chenghua of the Ming Dynasty has fine painting skills, enamel painting techniques, realistic expression, Solid Carcass and excellent embryo repair. The whole body is thick, the glaze is moist, the painting is delicate, and the pastel is gorgeous. The layout is reasonable, the momentum is magnificent, the precision is meticulous, the writing skill is skilled, the color is bright, and the furnishings are excellent. Blue and white book "Chenghua year system" four character regular script. It is rare to have a perfect appearance.

整器做工工艺一丝不苟,绘画精细,色彩精细,色彩亮丽。雍荣华贵,气度不凡,带有浓重的乾隆风格,现已不多见,弥足珍贵,值得珍藏。

The whole machine is meticulous in workmanship, fine in painting, fine in color and bright in color. It is very precious and worthy of collection.

藏品名称:大明成化年制粉彩凤凰纹盘口瓶

高:31cm 口径:8.5cm 足径:8.5cm

Name of collection: Pink Phoenix shaped vase made in Chenghua, Ming Dynasty

Height: 31cm diameter: 8.5cm foot diameter: 8.5cm

现在整个艺术品市场,瓷器一直是拍卖场上的宠儿,尤其是成化年制到清乾隆瓷器,一直占据着艺术品收藏品类的版面,市场行情一路走热,无论是交易额还是价格都一路攀升。有数据显示,很早之前大明朝瓷器的价格标签大概两三年调整一次,而近两三年,几乎一年要调整两到三次。另一组数据亦支持了这观点,自06年以后,大明成化年制瓷器的价格涨幅至少在50%-200%之间,粉彩瓷瓶,涨幅更是接近一倍。并且,目前市场粉彩瓷瓶更是越加稀少。所以这件瓷器具有很高的收藏价值和升值空间,觉得是市场上面的一匹黑马Now in the whole art market, porcelain has always been the favorite in the auction house, especially from Chenghua Nianzhi to Qianlong porcelain in Qing Dynasty, which has occupied the space of art collection. The market has been booming, and both the transaction volume and the price have been rising. Some data show that the price tag of Ming Dynasty porcelain was adjusted about once every two or three years before, but nearly two or three times a year in recent two or three years. Another set of data also supports this view. Since 2006, the price of Daming Chenghua annual porcelain has increased by at least 50% - 200%, and the price of pastel porcelain bottles has nearly doubled. And, at present the market pastel porcelain bottle is more and more rare. Therefore, this porcelain has high collection value and appreciation space. I think it is a black horse in the market.。